Why I still shoot film

Why I still shoot film

On grain, patience, and the photographs you can't take twice.

Polaroid photographs pinned to a wall, lit by soft daylight

Film makes me slow down. Thirty-six frames is a kind of honesty — you choose, you commit, you wait.

Weeks later the scans arrive and I meet the day again, softened by grain and memory. Some frames fail. The ones that don't feel earned.

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